Fist & Heel Performance Group

The Company

Reggie Wilson/Fist & Heel Performance Group is a Brooklyn-based dance company that investigates the intersections of cultural anthropology and movement practices and believes in the potential of the body as a valid means for knowing. Our performance work is a continued manifestation of the rhythm languages of the body provoked by the spiritual and the mundane traditions of Africa and its Diaspora, including the Blues, Slave and Gospel idioms. The group has received support from major foundations and corporations and has performed at notable venues in the United States and abroad.

“Fist and heel is clapping and stomping, shouting and hollerin’ – and the manipulation of energies.”

–Reggie Wilson

Denied their drums, enslaved Africans in the Americas reinvented their spiritual dance traditions as a soulful art form that white and black authorities dismissed as merely ‘fist and heel worshipping’.



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The Director

Reggie Wilson (Artistic Director, choreographer and performer) founded his company, Reggie Wilson/Fist & Heel Performance Group, in 1989. Wilson draws from the cultures of Africans in the Americas and combines them with post-modern elements and his own personal movement style to create what he calls “post-African/Neo-HooDoo Modern dances.”

His work has been presented nationally and internationally at venues such as Brooklyn Academy of Music, New York Live Arts, and Summerstage (NYC), Jacob’s Pillow Dance Festival (Lee, MA), Yerba Buena Center for the Arts (San Francisco), UCLA Live, and Redcat (Los Angeles), VSA NM (New Mexico), Myrna Loy (Helena, MT), The Flynn (Burlington, VT), Contemporary Arts Center (New Orleans), Dance Umbrella (Austin, TX), Linkfest and Festival e’Nkundleni (Zimbabwe), Dance Factory (South Africa), Danças na Cidade (Portugal), Festival Kaay Fecc (Senegal), The Politics of Ecstasy, and Tanzkongress 2013 (Germany).

Mr. Wilson is a graduate of New York University, Tisch School of the Arts (1988, Larry Rhodes, Chair). He has studied composition and been mentored by Phyllis Lamhut; Performed and toured with Ohad Naharin before forming Fist and Heel. He has lectured, taught and conducted workshops and community projects throughout the US, Africa, Europe and the Caribbean. He has traveled extensively: to the Mississippi Delta to research secular and religious aspects of life there; to Trinidad and Tobago to research the Spiritual Baptists and the Shangoists; and also of energies” explains Reggie Wilson. to Southern, Central, West and East of Africa to work with dance and performance groups as well as diverse religious communities. He has served as visiting faculty at several universities including Yale, Princeton and Wesleyan Universities. Mr. Wilson is the recipient of the Minnesota Dance Alliance’s McKnight National Fellowship (2000-2001). Wilson is also a 2002 BESSIE-New York Dance and Performance Award recipient for his work The Tie-tongued Goat and the Lightning Bug Who Tried to Put Her Foot Down and a 2002 John Simon Guggenheim Fellow. He has been an artist advisor for the National Dance Project and Board Member of Dance Theater Workshop. In recognition of his creative contributions to the field, Mr. Wilson was named a 2009 United States Artists Prudential Fellow and is a 2009 recipient of the Herb Alpert Award in Dance. His evening-length work The Good Dance–dakar/brooklyn had its World premiere at the Walker Art Center and NY premiere on the Brooklyn Academy of Music’s 2009 Next Wave Festival. In 2012, New York Live Arts presented a concert of selected Wilson works, theRevisitation, to critical acclaim and the same year he was named a Wesleyan University’s Creative Campus Fellow, received the 2012 Joyce Foundation Award for his new work Moses(es), and was named a Doris Duke Performing Artist. In 2013 Moses(es) had its NY premiere on BAM’s Next Wave Festival and is currently touring.

CITIZEN Promotional Sizzle


Moses(es) Promotional Sizzle


Moses(es) Documentary


Moses(es) is Reggie Wilson/Fist and Heel’s rich evening-length work– choreographed for nine, set to live and Diasporic-influenced, layered vocalizations– that asks: how do we lead and why do we follow. This work’s filtered through the multiple iterations of Moses represented in religious texts + in mythical, canonical + ethnographic imaginations.

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theRevisitation is a full evening presentation of selected works from Wilson’s repertoire, with a new twist. Previous performance standards have been cut, pasted and merged with new ideas, thoughts, and realities to reflect on Wilson’s past, his approach to his body, its idiomatic movement and current perspectives. This show includes: the vocal suite called Hard Heads Make Soft Tales (a Sweetie), the duet, INTRODUCTION, and Big Brick: a man’s piece.

The Salon Pieces are an alternative to full Company presentations. A full evening of short works from Wilson’s repertoire that are performed by one to three performers are offered for presentation, including pieces such as Tales from the Creek, Introduction, Untitled, and The Dew Wet.

CITIZEN – ‘What does it mean to belong’ and ‘What does it mean to NOT want to belong’, are core questions of Reggie Wilson’s investigations for his new evening length dance work, CITIZEN.

In CITIZEN, Wilson drills down into the human desire to belong with exponentially expanding questions. ‘Do the injustices in today’s America engender a feeling of belonging? What supports belonging? Is belonging solely something internal, inside the individual? Is a sense of belonging or not belonging, a private or a public matter? How is my experience as a Black, 48-year old male in America compared to a black 30-year old male or a 23-year old black male’s experience , reality of America, different? What makes our experiences different, race, class, religion, gender, location, ancestry, language…? Do I change to belong? What do I change? Is change necessary? Does knowing the past help now, how? Do I become an anonymous individual if I belong? Belong to what… Where? Why? How? Who?’ This work takes these ever-expanding questions out of the theoretical and cerebral, and confronts them on kinesthetic, personal, individual, and macro levels, to offer alternatives. CITIZEN promises to engage and compel while igniting disruptive, uncomfortable perspectives on our compassion and humanity.



Community Engagement and Residencies

Community Shouts – stimulating, transformative sing-a-longs where participants restore and connect to their rhythmic voices and bodies. The Shouts unearth some of the origins, functions and interconnections through tales and songs from Africa and the African Diaspora (the Caribbean and American south).

Creative Healing Workshops – company members guide and participate in creative writing, and/or movement workshops for young people and seniors.

Open Rehearsals and Post-performance Discussions – audience, performers and choreographer make contact on a more intimate level, either in the studio or post-performance, during which time audience members and performers have an opportunity to exchange perspectives and further understand Wilson’s process and presentation.

Master Classes and Workshops – choreographer Reggie Wilson teaches Master Classes in his particular movement idiom, merging contemporary Technique and post-modern structures with rhythmic folk traditions. Wilson also conducts workshop intensives in Dance Composition.

Lectures – Wilson delivers engaging and informative lectures on his career arc, research (kinesthetic and academic), and on various cultures and communities of the African Diaspora.

Lecture/Demonstrations – consists of various themes related and relevant to the presented performance.


  • Thu

    Rutgers University

    New Brunswick, NJ


  • Wed

    Cal Performances

    Berkeley, CA


  • Mon

    Columbia College Chicago

    Chicago, IL


  • Thu

    Wesleyan University Center for the Arts

    Middletown, CT