The program includes a song called “Garvey’s Ghost,” Brown said, explaining how he wanted to honor Roach’s interest in the Jamaican-born political activist. The title of the music refers to
‘It’s dark. It’s guttural. It’s passionate. I lean into the abstraction and the virtuosity we’re seeing in the dancers. I’d say it’s sexy. Ironically, it’s sexy in a way that’s
‘In BLACK HOLE, the TRIBE trio moves as if learning for the first time how their skeletons and muscles are constrained and empowered, perplexed and bedazzled, by gravity’s incontrovertible power.
‘Described as a marathon in three parts, ‘Triathlon’ concludes the ‘trilogy’ of Pitts’s “BLACK series” consisting of previous works Black Velvet: Architectures And Archetypes and Black Box: Little Black Book
Continue readingOZ ARTS PRESENTS BLACK HOLE: TRILOGY AND TRIATHLON | PRIDE PUBLISHING GROUP
‘As Walking progresses, so does the pace and desperation in the music, reflecting the dancing. Bird sounds and gestures ground the piece, bringing us outside, into nature. The dancers form
“We are thrilled to welcome Shamel Pitts and members of TRIBE to Nashville for the first time,” said Mark Murphy, OZ Arts Executive and Artistic Director. “Shamel has been best
“Black Hole is a kaleidoscopic performance art experience that submerses audiences in a soundscape of original music, sound samples and spoken word. A trio of Black performers from TRIBE, a
‘I definitely believe a dance floor is more than a dance floor. I think the dance studio is a sacred space and the dance floor becomes our sacred common ground.’
Continue reading#37 NY PROFILE – RON BROWN & ARCELL CABUAG – EVIDENCE
‘a prelude to the relationship that would unfold in several rounds of an emotionally charged duet—impossibly athletic, erotic, vexed, and tender.’ Read the full article here.
