‘Consider Mozart’s Requiem in D Minor, unfinished by the composer at the time of his death in 1791, as a deliberate incomplete sentence, a poetic invitation open to reinterpretation over the ensuing 231 years. Its latest evolution takes shape in the hands of choreographer Kyle Abraham, whose transformative evening-length work, Requiem: Fire in the Air of the Earth, premieres in New York this week. Co-commissioned by Lincoln Center and featuring 10 dancers from his company, A.I.M, the new piece repositions the classical Requiem as an exploration of rebirth, ritual, and the afterlife. The result is a stunning and abstracted rewiring of mythology, folklore, and Afrofuturism.’
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