‘The dancers balance barefoot through the existential experiment, plunge into ecstasy, touch the grief with swinging arms. They let themselves fall into the music, as undramatic as they are virtuoso, and shine with phenomenal versatility. Viewed rightly, the evening reflects US dance iconography and its legends: the expressive emphasis of Martha Graham, the black dance theater by Arthur Mitchell or Alvin Ailey, filigree elegance à la Merce Cunningham and Balanchine’s crystalline ballet trials.’
Read the full review here.
Photo: Peter Hönnemann
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