‘Perhaps the most striking quality to the movement in POWER was its realism. While the dancers in Fist and Heel clearly have all the skills one would expect of a professional troupe of their caliber, their choreography seemed to intentionally forgo polish in the service of presence. For lack of better words, they just seemed to be dancing the way their bodies wanted to move—like the people who created these dances would move.’
Read the full review here.
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