Tag: REGGIE WILSON/FIST & HEEL PERFORMANCE GROUP
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Reggie Wilson/Fist & Heel Performance Group to Perform at the American Dance Festival on 9/14
‘The company will present CITIZEN (excerpt), a series of solos that asks, “What does it mean to belong and what does it mean to NOT want to belong?” INTRODUCTION (a solo performed by Reggie Wilson), is a contemporary experimental performance theater work where Wilson shares a very personal recount about his experience of the Spiritual Baptists religion in Trinidad…
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Dance Magazine / Friday Film Break: Reggie Wilson’s “Come and Go ‘Piece a ‘Way”
‘For Danspace Project’s Platform 2021: The Dream of the Audience, choreographer Reggie Wilson offers his first solo performance in years: “Come and Go ‘Piece a ‘Way.” The choreography for this short dance film was created by virtually gathering prompts and movement material from the 10 members of Wilson’s company, Fist and Heel Performance Group. With cinematographer Aitor Mendilibar, Wilson considered…
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Bereishit Dance Company and Reggie Wilson Fist & Heel Performance Group selected as The Arts Fuse’s Dance Favorites of 2020
‘The last live performance I liked a lot was Reggie Wilson’s POWER, in February at the ICA. Wilson is a most unaffected choreographer. His dancers don’t act up or pretend to be characters, but their dancing conveys whatever the audience needs to understand a place, a time, a person. Most of all, Wilson is invested in…
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Reggie Wilson Interactive Lecture presented by ADF on Tuesday, September 15 at 7pm EST
Unpacking INTRODUCTION – Cultural Appropriation, Kinesthetic Anthropology and Post-African Neo Hoodoo Modern Dance Click on this link for more information.
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Streaming this week: Watch an Evening of Selected Works by Reggie Wilson/Fist & Heel Performance Group presented by the Bates Dance Festival
Click here to view the program (available until August 24, 2020). Photo: Courtesy of the Bates Dance Festival
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Dance Review: ‘Reggie Wilson/Fist and Heel Performance Group — Powerful Gifts’
‘I was swept away by the force of the rhythms and the fervent dancing.’ Read the full review here.
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Oregon Artswatch Review: ‘Reggie Wilson’s Got the Power’
‘Perhaps the most striking quality to the movement in POWER was its realism. While the dancers in Fist and Heel clearly have all the skills one would expect of a professional troupe of their caliber, their choreography seemed to intentionally forgo polish in the service of presence. For lack of better words, they just seemed…