Tag: REGGIE WILSON/FIST & HEEL PERFORMANCE GROUP
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Reggie Wilson’s ‘Moses(es)’ is coming to the Orpheum Theater in Memphis
See more information on the engagement here.
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Just because you are dying to learn even more about Reggie Wilson’s Moses(es)!
Choreographer Reggie Wilson re-read Zora Neale Hurston;s “Moses, Man of the Mountain” as he set off on a trip to Isreal, Egypt and Turkey. This week, Wilson will bring his new work, “Moses(es),” to Jacob’s Pillow Dance Festival. More at Bennington Banner
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Check out what Jacob’s Pillow’s Ella Baff says about Moses(es)
“At the intersection of dance, music, anthropology, history, and post-modernism, Reggie Wilson’s work deifies any category. This newest work Moses(es) is exciting, full of surprises, richly layered, and beautifully performed by an international cast of extraordinary talent.” –Ella Baff, Executive and Artistic Director of Jacob’s Pillow Read the article here
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Boston Globe Dance Picks: Reggie Wilson/Fist & Heel Performance Group
Boston Globe’s Karen Campbell names Reggie Wilson/Fist & Heel Performance Group’s Moses(es) a must see performance. For “Moses(es),” choreographer Reggie Wilson draws from mathematics, Middle East culture and literature, including Zora Neale Hurston’s book on the prophet. More at globe.com
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And yet another wonderful NY Times review for Reggie Wilson’s Moses(es)!
“In their soulful, nearly nonstop dance and song, leaders and followers continuously trade places, and no single story prevails.” –Siobhan Burke. The New York Times More at New York Times
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A rave review for Reggie Wilson at the International Festival of Arts & Ideas
“Depth is exactly what Moses(es) had. Depth and clarity and originality and charm and grace and glory and righteousness…” –Chris Arnott, New Haven Independent More at newhavenindependent.org
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Moses(es) is coming to the Pillow this week!
Inspired by Zora Neale Hurston’s book Moses, Man of the Mountain and cultural explorations in Israel, Egypt and Turkey, choreographer Reggie Wilson’s Moses(es) takes us on a captivating journey. July 9–July 12 More info at jacobspillow.org
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New York Times reviews Reggie Wilson
“Mr. Wilson, like a preacher, stood behind the pulpit, singing and creating an insistent rhythm by striking a wooden stick on the floor.” –Gia Kourlas, New York Times More at http://www.nytimes.com/
