Tag: REGGIE WILSON/FIST & HEEL PERFORMANCE GROUP
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Master Artist-in-Residence Program with Choreographer Reggie Wilson at the Atlantic Center for the Arts this Fall
There is an open call for choreographers, dancers, performers, scholars and researchers. The dates of the residence are October 12, 2015— November 1, 2015. See details here.
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Boston review of Reggie Wilson’s ‘Moses(es)’ – ‘The extraordinary ritual remix of moses(es)’
‘Moses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative.’ Read the full review here.
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Northwestern University Professor, Susan Manning, talks about the making of ‘Moses(es)’.
More information here.
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A review of Reggie Wilson’s Moses(es) by Zora Neale Hurston’s nephew
This is the review that Zora Neale Hurston’s nephew, Edwards Hurston, posted on Reggie Wilson/Fist and Heel Performance Group’s page after seeing ‘Moses(es)’ at the International Festival of Arts & Ideas in New Haven last year: ‘Hello all, My review of Reggie Wilson/Fist and Heel Performance Group in Moses(es). On the first day of summer…
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REVIEW – Reggie Wilson commission on Ballet Memphis: Ballet Memphis finds right tone with ‘I Am’ presentation
‘The second work, Brooklyn-based Reggie Wilson’s “I Am A Man,” is an extraordinary piece, rooted in civil rights, religion and the choreographer’s Delta heritage. Knowing those inspirations gives some context to what you see, but it can no more describe the grace, power and emotion of the movement than a title to a book or…
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Harvard Arts Blog – A conversation with motion artist Reggie Wilson
‘What is post-African/Neo-HooDoo Modern dance? […] It means that it’s several words strung together, and you probably have to experience it to understand what that means. It’s dance – best to be experienced and not read. That’s the basic concept behind it, but actually and literally each one of those words are ideas that do relate to…