Tag: REGGIE WILSON/FIST & HEEL PERFORMANCE GROUP
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Painted Bride’s Historic Re-PLACE-ing Philadelphia Project to present Reggie Wilson’s ‘STAMPED, STOMPED, STUMPED’
Renowned choreographer Reggie Wilson explores how we “physicalize place” in this postmodern work featuring Kristel Baldoz, David Brick, Paul Hamilton, Germaine Ingram, Jumatatu Poe, Maria Urrutia, and Miles Yeung-Tieu. Reggie and the artists create space and opportunity to reveal the physical testimonies and histories in their bodies. The results are poetic, intentional, and dynamic all…
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NY TIMES – Reggie Wilson/Fist & Heel Performance Group selected by DanceMotion USA to travel to Panama, the Dominican Republic and Haiti in 2017
Read the New York Times article here.
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Reggie Wilson: Artist Profile
‘A 2014 trip to Paris led to thinking about why many famous artists of the Harlem Renaissance made a path to Europe. With migration as an ongoing concentration and source of inspiration for my work, I became obsessed to understand the varied thoughts and reasons of this particular migration. I questioned what were the parallels to…
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don’t miss Reggie Wilson at The Joyce! Jan 12 and 17 at 7.30pm!
For more information on the performances, please click here.
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Learn more about Reggie Wilson’s new NDP-supported work, ‘CITIZEN’
Click on this link to learn more about the work.
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Congratulations to Reggie Wilson/Fist & Heel Performance Group on being awarded a National Dance Project Production grant for their new work ‘CITIZEN’
‘CITIZEN’ will premiere at Fringearts in September 2016. For more information on the NDP list of awardees, click here.
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Review – Reggie Wilson / Lynden Sculpture Garden’s ‘Moses(es)’ – ‘Rain Dance’
‘The next section took place around and within Forrest Myers’ painted steel “Quartet,” a monumental, fractured outline of a cube. The dancers used the same vocabulary, lots of liquid movement of the arms alternating with fidgety bursts of energy, but they moved individually rather than as a group. Again, the mass of the sculpture pulled…
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Reggie Wilson / Lynden Sculpture Garden’s ‘Moses(es)’ – Read the postscript from the Executive Director of Lynden
‘Dance is ephemeral, each performance unique. Some dances are fairly set, at least for a generation or so, in their choreography; others were conceived as containers for ideas that could take different forms. Reggie Wilson’s Moses(es) falls into the latter category. It is a piece his Fist and Heel Performance Group has performed for more…