Tag: A.I.M BY KYLE ABRAHAM
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Review: ‘Abraham Takes ‘A.I.M’ at Greatness with Akron Program’
‘While “INDY” showed off Abraham’s major talents as a dancer, his new group work for the company, “Meditation: A Silent Prayer” (2018), revealed a choreographer at the top of his game in craft, theatricality, and having the pulse of the world he lives and works in.’ Read the full review here.
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WNYC / MARINA Harss on KYLE ABRAHAM AND A.I.M – Fall Dance preview: from BALLET TO BACH
Listen to the story here.
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NY Times preview: ‘The Choreographer Kyle Abraham mixes things up at City Ballet’
In developing the piece, his first for a ballet company, Mr. Abraham has been introducing his cast to a more released way of moving than ballet typically calls for. Known for his work with his own New York contemporary dance troupe, A.I.M., he is something of a ballet outsider — and if the energy in rehearsal was…
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Fjord Review / A.I.M’s show at Central Park Summertage
‘The house music that thrummed in the background of “Drive” was infectious and sexy and freeing; dancers pulsed and moved together, arms mirroring the isolation and quickness of voguing. But with this fun and fierceness came an unexpected edge; the presence of a threat, somewhere in the distance, demanding ferocity in response. Though this threat…
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Kyle Abraham and Reggie Wilson are awarded a National Dance Project production and touring grant
For more information, click on this link. Read about Kyle’s and Reggie’s new projects below: KYLE ABRAHAM – A.I.M: THE UNTITLED D’ANGELO PROJECT is an evening-length work, for eight to ten dancers, focused on the concept of ‘Black Love’ and the 2014 release of D’Angelo & The Vanguard’s critically acclaimed album, ‘The Black Messiah.’ The creative process…
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Télérama review / “Live ! The realest MC: du hip-hop au voguing, le cabaret contemporain de Kyle Abraham”
‘Le chorégraphe afro-américain revient à Paris avec une pièce qui déploie son message avec une assurance calme.’ Read the Télérama article in French here.
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Charleston City Paper REVIEW/ A.I.M: ‘Subtle, hypnotic, and electric, A.I.M. is commandingly on target’
‘Their Saturday matinee performance at the Emmett Robinson Theatre was captivating on all levels — from stage aesthetics, particularly the artful lighting, to music (or lack thereof), to a solid corps of dancers, each with unfiltered personality and each fully in command of their parts while displaying an uncanny chemistry with one another. The sensual…
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Review: ‘A.I.M tells human stories through creative movement’
‘Perhaps most interesting is the smooth blend of sharp hip-hop isolations and grounded modern undulations in the second movement — an Abraham signature unmatched by any other creator today, and a glimpse at a more interdisciplinary future for modern dance in America.’ To read the full review, please click here.
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A.I.M / The Post and CourieR preview: ‘A.I.M makes creative conversations with movement, music and silence’
‘Whether it’s with the sounds of New York rappers Mobb Deep or no sounds at all, Kyle Abraham is creating conversations for his performers through dance. “It’s all about connection, watching, breathing, listening to your partners and being aware,” said Abraham, whose dance company Abraham.In.Motion (A.I.M) will return to Spoleto Festival USA for performances June…