Tag: A.I.M BY KYLE ABRAHAM

‘Mark Morris, Michelle Dorrance and Kyle Abraham are among the choreographers who will create new works for this year’s edition of the Fall for Dance Festival, New York City Center’s annual series of affordable and diverse performances.’ Read the full preview here.

‘In his most recent work, Dearest Home, Kyle Abraham, MacArthur “Genius” Fellow and Jacob’s Pillow Award-winner, presents an intimate performance that explores the concepts of love, longing, and loss. Dearest Home audiences watch the performance in-the-round, allowing them to fully experience the “glorious conviction” of the dancers.’ Read the full preview here.

‘It’s the end of a long rehearsal day for the dancers of Abraham.In.Motion. They’re reviewing phrases of a new work, Dearest Home. It’s a pretty typical rehearsal scene. Some dancers cluster around a laptop trying to piece together steps learned long ago. Others review choreography together, working to figure out who remembered which arms correctly.’…

‘Lincoln-Larimer native Kyle Abraham can add “cover star” to his list of accomplishments. Six dancers from his New York City-based dance troupe Abraham.In.Motion are featured on the front of the August issue of Dance Magazine, a major industry publication that’s been in print since 1927.’ Read the full story here.

‘Presented in the round at The Kitchen for Lumberyard in the City festival, this extraordinary ensemble piece speaks on so many levels. You can read in it Abraham’s personal experiences of love and loss–as well as your own–and you can also trace the longings and sorrows we face as members of the broader human family in a time of…

Watch the NY Times’ video here.

‘In his new evening-length piece, “Dearest Home,” Mr. Abraham reflects on love, longing and loss, creating what he considers his most personal work to date.’ Read the full article here.

‘Abraham created Dearest Home in conversation and collaboration with a variety of age groups and communities He also drew upon new research into the concept of scientific empathy. Ironically, after he first choreographed Dearest Home, Abraham experienced a series of personal losses, including the passing of his mother, a breakup with his romantic partner and…

Watch the interview here.

‘But it’s the big mingle with Abraham that is virtuosic, his way of absorbing all the elements of various dance vocabularies, not patching them in as often seen, but fusing them to create a semi-narrative shadow of personal interior resonances.’ Read the full review here.