Category: Ronald K. Brown / EVIDENCE

“I was touched by the stories they shared and how willing they were to invite us into their world,” says Anderson. “Vulnerability from the choreographer helps break down some of the power structures in the room and allows the dancers to feel more comfortable being vulnerable too. They challenged and pushed us, but they were…

“Throughout the evening I was struck by the seemingly ceaseless rise of energy, wondering how it could be maintained. But even in the moments of pause or stillness, the dancers continued to emit radiant strength; their commitment to the dance, to the art, to Brown, to each other, to us, is formidable, precious. Breathtaking and…

‘The dancers bust loose, now not just exploring space but luxuriating in it, claiming it, claiming their freedom, their equality. “Amen” to that.’ Read the full article here.

“What happens onstage is so supple and alive, so irresistibly kinetic, that you might not notice how often Brown shows the opposite: still bodies, inert bodies lying on the ground or carried by others.” Read the full article here

‘Brown, 55, is a formidable choreographer whose spiritual blend of contemporary dance with African and Afro-Cuban forms has made him one of the most important dance artists of his generation — or, really, any generation. For a stroke to happen to anybody would be devastating. But for a choreographer of his stature, it’s horrible to…

‘ ‘The Equality of Night and Day: First Glimpse’ stems from the ongoing movement for racial and social justice. In the piece, the dancers circle each other in a meditation of compassion and protection. The choreography is set to jazz pianist Jason Moran’s original score and excerpts from three of Davis’ speeches.’ Read the full…