Author: Sophie Myrtil-McCourty
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The Berkshire Edge Review – ‘DANCING ON THE EDGE: Bereishit Dance Company’
‘The relationship to bow and arrow was apparent in the quality of the movements. Whether fast, slow, percussive, lyrical, difficult or complex the dancers always maintained a sense of flow, of tension and release as in the act of archery — pulling back the bow and releasing the arrow. There was a sense of effortlessness…
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Fuse Dance Review: ‘Bereishit Dance Company — Cosmopolitan Grace’
‘Sometimes, one dancer will run toward two others who catch and swoop her/him up swiftly, into a glorious high arc. The riskiness of this is breathtaking — and addictive. Park obliges, and throws a few more swoop lifts in, but he doesn’t make the mistake of too much repetition, nor does he need to. He’s…
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NY Times review/Bereishit – ‘A Taste of Seoul at Jacob’s Pillow Dance Festival’
‘But Mr. Park’s style, seen in his “Bow” (2014) and “Balance and Imbalance” (2010), draws from many sources, including hip-hop and judo, the Japanese martial art. In the evening’s most captivating moments these coalesce into something very much his own, with a tranquil efficiency running through even the knottiest, most acrobatic sequences.’ Read the full…
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Chicago Tribune review/Kyle Abraham: ‘MacArthur Fellows impress in evening of dance’
‘Kyle Abraham has got the juice, manifested in rolling shoulders and hips and a sense of constant connection.’ Read the full review here.
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Kyle Abraham/The Indy preview: ‘Laguna Dance Festival Gears Up for New Season’
Read the preview here.
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The NY Times – ‘Dance This Season: Tap, Ballet and the Inexplicable’
‘Kyle Abraham brings back his 2012 “Pavement,” inspired by the film “Boyz n the Hood” and W.E.B. Du Bois’s “The Souls of Black Folk” (Nov. 2-5)’ ‘A frequent fall highlight at the Brooklyn Academy of Music, Mr. Wilson’s Fist & Heel Performance Group returns to the Next Wave Festival. In “Citizen,” a New York premiere,…
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Thinking Dance review/Reggie Wilson: ‘Embodied Social Politics and Group Identity’
‘CITIZEN, Wilson’s exploration of group and individual identity, history, and belonging, proceeds with mesmerizingly virtuosic solos and groupings.’ Read the review here.
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CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
‘Wilson and his dancers beautifully articulate humankind’s desire to belong.’ Read the review here.
