Author: Sophie Myrtil-McCourty
-
Creative Capital Blog: ‘KYLE ABRAHAM INVITES YOU INTO HIS HOME WITH HIS MOST PERSONAL WORK TO DATE’
‘THE DANCE IS A LOVE LETTER TO ALL OF THOSE THINGS [LOVE, LONGING, LOSS]… I’M NOT DANCING IN THIS SHOW, BUT I FEEL MORE PRESENT IN THIS WORK THAN I’VE FELT IN ANY OTHER WORK.’ Click here to read the full interview.
-
Abraham.In.Motion to perform ‘Dearest Home’ at CAP UCLA next season
For more information, please click here.
-
LA Times/Kyle Abraham: ‘A ‘club kid’ dances to a mix of styles’
Read the interview here and don’t miss Abraham.In.Motion’s LA shows at the Broad Stage this weekend!
-
The NEW YORKER: ‘THE N.E.A. REALLY ISN’T “WELFARE FOR RICH, LIBERAL ÉLITES’
‘The N.E.A. was saved in the budget agreement hammered out in Congress this week. But the arts were not on a budget chopping block as a matter of money, of course, but as a matter of faux populism, and as the next iteration of the culture wars. The proposed arts cuts are not an austerity…
-
Reggie WILSON/FIST & HEEL PERFORMANCE GROUP TO PERFORM ‘MOSES(ES)’ AT CAL PERFORMANCES THIS FALL
See Cal Performances’ season announcement here.
-
Miami Herald: ‘Choreographers use dance to express messages about citizenship, identity’
‘Dance has often been used as a medium to criticize current society or to ask questions. In today’s world rife with racial tensions and immigration issues, choreographer Reggie Wilson’s latest work, “CITIZEN,” asks the question, “What does it mean to belong?” At a panel discussion April 22 at HistoryMiami Museum, Wilson said identity could mean…
-
Gibney Dance Company to perform a work by Reggie Wilson May 4-6, 2017
See it this weekend at 280 Broadway: Thursday, May 4 – Saturday, May 6 at 8:00 pm Saturday, May 6 at 5:00 pm
-
Students of George Mason University’s School of Dance performing Bereishit’s work
Photography by Emmanuel Williams
-
ACS magazine interviews Reggie Wilson
“I believe rigor is highly important it is necessary to do the work and the homework. Look at what the work is actually doing and listen to what the work may be saying, edit, edit, edit again and follow your voice. Repeat. Release it and it will have its own life.” Read the full interview…
