Author: Sophie Myrtil-McCourty

‘Abraham is a marvelous mover, and whatever sources he draws from—ballet, modern dance, hip-hop, vogueing, memories, everyday life, and more—he stirs into something personal and unusual. At one point, just watching him walk, dropping his weight on one foot—not exactly lame, but not not either—sets you thinking. So does seeing his hands together behind his…

‘In dance, the master can only be as good as his tools. A.I.M shows it’s both master and tool, switching easily among tones, tempi, and choreographic voices while remaining vigilant, confident, true to the work, true to itself.’ Read the full review here.

‘The Abraham we see now has unshackled himself from our and, likely, his own expectations.’ Read the full review here.

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‘Now at the end of that two-year long creative process—and in a sociopolitical climate that makes it undoubtedly clear the country has continued on its painful path–Abraham presents a work rooted in love. An hour and five-minute series of solos, duets, and one trio, Dearest Home’s sequence of disparate short stories weave together an over-arching tale…

Read the article here.