‘Abraham is a marvelous mover, and whatever sources he draws from—ballet, modern dance, hip-hop, vogueing, memories, everyday life, and more—he stirs into something personal and unusual. At one point, just watching him walk, dropping his weight on one foot—not exactly lame, but not not either—sets you thinking. So does seeing his hands together behind his back or in his pockets. So does the way he drops down to scrub at the floor. He can move from lancelike precision into silkiness and slipperiness without apparent transition. His hips are mobile, his tread on the floor as soft as that of a big cat, although he can spin over its surface with the rapidity of a kite string unreeling.’
Read the full review here.
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