‘The African American choreographer Reggie Wilson never seems satisfied with one idea or theme in his work. His dance Moses(es), performed Sept. 23 and 24 at Zellerbach Hall, is about the African diaspora, with music based on clapping and chants developed by Wilson and his collaborators. But it’s also an exploration of ideas about the biblical prophet Wilson explored during trips he took to Israel, Turkey, Egypt and Mali, and the urge to dramatize Zora Neale Hurston’s novel Moses, Man of the Mountain, which sets the story in the African American experience.’
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