Chicago Tribune review – ‘Kyle Abraham’s slippery, truthful take on civil rights in ‘Wolves”
‘Fluidity marks the work of choreographer Kyle Abraham, fluidity of feeling, perception, movement. That protean force, applied to the outrageously long-lived issue of black people’s civil rights, produces a major work of truth-telling American art in “When the Wolves Came In,” through Sunday at the Museum of Contemporary Art.’
Read the full Chicago Tribune review here.
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